“Stage animals as well as outstanding chamber players, Eighth Blackbird perform with a freedom almost unheard of in their technically demanding repertoire.” —The Sunday Telegraph
“Watching Eighth Blackbird in action, you envied a composer’s opportunity to challenge these versatile, expressive performers.” —Steve Smith, New York Times
“The blackbirds are examples of a new breed of super-musicians. They perform the bulk of their new music from memory. They have no need of a conductor, no matter how complex the rhythms or balances. They are […] stage animals, often in motion, enacting their scores as they play them. They are without stylistic allegiances. Minimalism, Post-Minimalism, experimentalism, New Romanticism, old Expressionism, rock, smooth jazz, not-so-smooth jazz all come easily and naturally.” —Mark Swed, Los Angeles Times
“…one of the smartest, most dynamic contemporary classical ensembles on the planet.” — Chicago Tribune
Nathalie Joachim, flutes Nick Photinos, cello
Michael Maccaferri, clarinets Matthew Duvall, percussion
Yvonne Lam, violin and viola Lisa Kaplan, piano
Eighth Blackbird is “one of the smartest, most dynamic contemporary classical ensembles on the planet” (Chicago Tribune). Launched by six entrepreneurial Oberlin Conservatory undergraduates in 1996, this Chicago-based super-group has earned its status as “a brand-name…defined by adventure, vibrancy and quality….known for performing from memory, employing choreography and collaborations with theater artists, lighting designers and even puppetry artists” (Detroit Free Press).
Eighth Blackbird’s 2017-18 season marks debuts in Turin, Milan, Budapest, with the Philadelphia Orchestra and Cincinnati Ballet, tours through 11 states, and the release ofOlagón, a new album featuring music by Dan Trueman, poetry by Paul Muldoon, and sean nós singer Iarla Ó Lionáird. Eighth Blackbird celebrated its 20th anniversary in 2016 with tours of music from Filament and Hand Eye, as well as keystone performances celebrating Steve Reich’s 80th birthday, a fresh round of raucous shows with “Appalachian post-punk solipsist” (The Wanderer) Will Oldham (Bonnie Prince Billy), and world premieres by Holly Harrison, Pulitzer Prize-winner David Lang, and Ned McGowan.
Eighth Blackbird first gained wide recognition in 1998 as winners of the Concert Artists Guild Competition. Over the course of two decades, the group has commissioned and premiered hundreds of works by composers such as David Lang, Steven Mackey, Missy Mazzoli, and Steve Reich, whose Double Sextet went on to win the 2009 Pulitzer Prize. A long-term relationship with Chicago’s Cedille Records has produced eight acclaimed recordings and four Grammy Awards for Best Small Ensemble/Chamber Music Performance, most recently in 2016 for Filament. They were named Music America’s 2017 Ensemble of the Year, and in 2016 were the inaugural recipients of Chamber Music America’s Visionary Award and the prestigious MacArthur Award for Creative and Effective Institutions.
Eighth Blackbird’s members (Nathalie Joachim, flutes; Michael J. Maccaferri, clarinets; Yvonne Lam, violin & viola; Nicholas Photinos, cello; Matthew Duvall, percussion; Lisa Kaplan, piano) hail from the Great Lakes, Keystone, Golden, Empire and Bay states. The name “Eighth Blackbird” derives from the eighth stanza of Wallace Stevens’s evocative, aphoristic poem, Thirteen Ways of Looking at a Blackbird (1917).
Eighth Blackbird is managed by David Lieberman Artists and Hazard Chase.
Nathalie Joachim is a Burkart Flutes & Piccolos artist, Michael J. Maccaferri is a D’Addario Woodwinds Artist. Matthew Duvall proudly endorses Pearl Drums and Adams Musical Instruments, Vic Firth Sticks and Mallets, Zildjian Cymbals, and Black Swamp Percussion Accessories. Lisa Kaplan is a Steinway Artist.