Sponsored by David and Melanie Alpers
Edison Box Office: 314-935-6543
$35-40 general admission
$32-37 Wash U faculty/staff
Solo Violin Program:
Violin Partita No. 3 in E Major, BWV 1006 (1720) by J. S. Bach (1685 – 1750)
III. Gavotte en Rondeau
IV. Menuett I
V. Menuett II
Blue/s Forms for Solo Violin (1979) by Coleridge-Taylor Perkinson (1932 – 2004)
Sonata for Solo Violin, Op. 27, No. 2 “Obsession” (1923) by Eugène Ysaÿe (1858 – 1931)
Violin Partita No. 2 in D minor, BWV 1004 (1720) by J. S. Bach (1685 – 1750)
“The essence of Hadelich’s playing is beauty: reveling in the myriad ways of making a phrase come alive on the violin, delivering the musical message with no technical impediments whatsoever, and thereby revealing something from a plane beyond ours.” – WASHINGTON POST
Augustin Hadelich is one of the great violinists of our time. From Bach to Brahms, from Bartók to Adès, he has mastered a wide-ranging and adventurous repertoire. He is often referred to by colleagues as a musician’s musician. Named Musical America’s 2018 “Instrumentalist of the Year,” he is consistently cited worldwide for his phenomenal technique, soulful approach, and insightful interpretations.
Augustin Hadelich’s 2020/21 season culminated in performances of the Brahms Violin Concerto with the San Francisco Symphony, conducted by Esa-Pekka Salonen. These were the first performances played by the full ensemble to a live audience in Davies Hall in 15 months. In the summer of 2021 he appeared at the Aspen, Colorado, Grant Park, and Verbier festivals, as well as at Bravo! Vail with the New York Philharmonic.
Augustin Hadelich’s 2021/22 season started off with stunning debut with the Berlin Philharmonic (Prokofiev’s Violin Concerto No. 2) with Gustavo Gimeno on the podium. Shortly thereafter, came the European premiere of a new violin concerto written for him by Irish composer Donnacha Dennehy. Other highlights of the 21/22 season include being named Artist-in-Residence with the Frankfurter Museumsorchester and continuing his residency as Associate Artist with the NDR Elbphilharmonie Orchester (Hamburg), as well as debuts with Orchestre National de France, Prague Radio Symphony, and the Warsaw Philharmonic, and return engagements with the Danish National Orchestra, Finnish Radio Orchestra, Houston Symphony, Minnesota Orchestra, Mozarteumorchester (Salzburg), Munich Philharmonic, Seoul Philharmonic, St. Louis Symphony, and WDR Orchestra (Cologne).
Augustin Hadelich has appeared with every major orchestra in North America, including the Boston Symphony, Chicago Symphony, Cleveland Orchestra, Los Angeles Philharmonic, Orchestre symphonique de Montréal, New York Philharmonic, Philadelphia Orchestra, and the San Francisco Symphony. In Europe he has performed with the Bavarian Radio Orchestra (Munich), Leipzig Gewandhaus Orchestra, London Philharmonic, Royal Concertgebouw Orchestra, Danish National Symphony, Orquesta Nacional de Españ a, Oslo Philharmonic, the radio orchestras of Denmark, Finland, Norway, Cologne, Frankfurt, Saarbrü cken and Stuttgart, and the Academy of St. Martin in the Fields. Engagements in the Far East include the Hong Kong Philharmonic, New Zealand Symphony, NHK Symphony (Tokyo), Seoul Philharmonic, and Singapore Symphony.
Augustin Hadelich has collaborated with such renowned conductors as Thomas Adès, Marin Alsop, Stefan Asbury, Herbert Blomstedt, Karina Canellakis, Thomas Dausgaard, Stéphane Denève, Thierry Fischer, Alan Gilbert, Gustavo Gimeno, Hans Graf, Miguel Harth-Bedoya, Manfred Honeck, Jakub Hrů ša, Carlos Kalmar, Louis Langrée, Hannu Lintu, Cristian Măcelaru, Klaus Mäkelä, Jun Märkl, Juanjo Mena, Ludovic Morlot, Andris Nelsons, Sakari Oramo, Andrés Orozco-Estrada, Peter Oundjian, Vasily Petrenko, Carlos Miguel Prieto, David Robertson, Donald Runnicles, Esa-Pekka Salonen, Michael Sanderling, Jukka-Pekka Saraste, Leonard Slatkin, Lahav Shani, John Storgårds, Nathalie Stutzmann, Yan Pascal Tortelier, Krzysztof Urbań ski, Osmo Vänskä, Edo de Waart, and Jaap van Zweden, among others.
Augustin Hadelich is the winner of a 2016 Grammy Award – “Best Classical Instrumental Solo” – for his recording of Dutilleux’s Violin Concerto, L’Arbre des songes, with the Seattle Symphony under Ludovic Morlot (Seattle Symphony MEDIA). A Warner Classics Artist, his most recent release is a Grammy-nominated double CD of the Six Solo Sonatas and Partitas of Johann Sebastian Bach. One of Germany’s most prestigious newspapers, the Süddeutsche Zeitung, boldly stated: “Augustin Hadelich is one of the most exciting violinists in the world. This album is a total success.” A long and stellar review follows these opening comments. Other CDs for Warner Classics include Paganini’s 24 Caprices (2018); the Brahms and Ligeti violin concertos with the Norwegian Radio Orchestra under Miguel Harth-Bedoya (2019); and Bohemian Tales, including the Dvořák Violin Concerto with the Bavarian Radio Orchestra conducted by Jakub Hrů ša (2020). He has also recorded discs of the violin concertos of Tchaikovsky and Lalo (Symphonie espagnole) with the London Philharmonic Orchestra on the LPO label (2017), and a series of releases on the AVIE label, including a CD of the violin concertos by Jean Sibelius and Thomas Adès (Concentric Paths), with Hannu Lintu conducting the Royal Liverpool Philharmonic Orchestra (2014).
Born in Italy, the son of German parents, Augustin Hadelich is now an American citizen. He holds an Artist Diploma from The Juilliard School, where he was a student of Joel Smirnoff. After winning the Gold Medal at the 2006 International Violin Competition of Indianapolis, concerto and recital appearances on many of the world’s top stages quickly followed. Among his other distinctions are an Avery Fisher Career Grant (2009); a Borletti-Buitoni Trust Fellowship in the UK (2011); the Warner Music Prize (2015); a Grammy Award (2016); as well as an honorary doctorate from the University of Exeter in the UK (2017). He has recently been appointed to the violin faculty at Yale School of Music.
Augustin Hadelich plays the violin “Leduc, ex-Szeryng” by Giuseppe Guarneri del Gesù of 1744, generously loaned by a patron through the Tarisio Trust.
**All programs subject to change
Financial assistance for this project has been provided by the Missouri Arts Council, a state agency. www.missouriartscouncil.org